剧情介绍
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
匆匆十年狂怒迷途之狼所罗门的伪证前篇：事件恩人流血的心念念年轻气盛2015燃烧的棕榈民男的幸福九龙探险录谁动了我的幸福贴身俏保镖钢管侠荒诞夜醉囧东莞女孩思悼高中女生书写人生千门风云为舞而生泡妞大行动残碎的记事本别把她宠坏玩的就是艳遇赤裸女特工之夜之序曲无贱道3神秘复仇镜仙飞来的鬼子钢的舞弱智时代窥爱就不告诉你等你一声妈赌鬼传奇之开心赌鬼非常幻想烈日迷踪临时男友我的干爹是个贼旧单车原罪少女夜袭寡妇村赌圣2015裸追吧不要脸尖叫三国惊急注射心灵救赎廷巴克图左魔传 展开全部
匆匆十年狂怒迷途之狼所罗门的伪证前篇：事件恩人流血的心念念年轻气盛2015燃烧的棕榈民男的幸福九龙探险录谁动了我的幸福贴身俏保镖钢管侠荒诞夜醉囧东莞女孩思悼高中女生书写人生千门风云为舞而生泡妞大行动残碎的记事本别把她宠坏玩的就是艳遇赤裸女特工之夜之序曲无贱道3神秘复仇镜仙飞来的鬼子钢的舞弱智时代窥爱就不告诉你等你一声妈赌鬼传奇之开心赌鬼非常幻想烈日迷踪临时男友我的干爹是个贼旧单车原罪少女夜袭寡妇村赌圣2015裸追吧不要脸尖叫三国惊急注射心灵救赎廷巴克图左魔传 展开全部