剧情介绍
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
日末浮生最初的晚餐最终幻想14：光之老爸 剧场版白小姐阿加莎与谋杀的真谛于特岛7月22日洗骨新闻记者野梨树国家破产之日无所不知先生少女的世界狗十三亚迪往事如烟2020那年同学之初恋时光约束的罪行第28年的甲子园出国多甫拉托夫事物的摆动爸爸的便当世界第一澄沙之味 日版唇上之歌抚摸大象女继承者刺心代号基亚斯：反叛的鲁路修2之叛道南瓜与蛋黄酱空白的13年夹边沟虹色时光宝塔镇河妖2绝世妖龙一级机密等爱在伦敦妈妈的笔记本冰果 真人版朵拉或我们父母的性神经官能症致命偷情驭风男孩过春天雪·葬边境小偷家族伴侣美丽心灵茶花女美丽的日子米拉那些面孔 展开全部
日末浮生最初的晚餐最终幻想14：光之老爸 剧场版白小姐阿加莎与谋杀的真谛于特岛7月22日洗骨新闻记者野梨树国家破产之日无所不知先生少女的世界狗十三亚迪往事如烟2020那年同学之初恋时光约束的罪行第28年的甲子园出国多甫拉托夫事物的摆动爸爸的便当世界第一澄沙之味 日版唇上之歌抚摸大象女继承者刺心代号基亚斯：反叛的鲁路修2之叛道南瓜与蛋黄酱空白的13年夹边沟虹色时光宝塔镇河妖2绝世妖龙一级机密等爱在伦敦妈妈的笔记本冰果 真人版朵拉或我们父母的性神经官能症致命偷情驭风男孩过春天雪·葬边境小偷家族伴侣美丽心灵茶花女美丽的日子米拉那些面孔 展开全部
